How to Dance

11 Keys to a Deeper Experience with the Dances of Universal Peace

Murshid Wali Ali Meyer
1988

(Excerpted from Spiritual Dance & Walk: An Introduction to the Dances of Universal Peace and Walking Meditations of Murshid Samuel L. Lewis, with a few additions and rephrasings by Muiz Brinkerhoff.)

 

Beloved Ones of Allah, all these words are in hope of your falling awake and finding the truth in your own self. You know your own experience better than anyone else. Be true to that. Don't let anyone pull the wool over your eyes; neither be swayed from what you know, by the opinions of others. Always be willing to learn. When asked what was the secret of his success, Murshid Samuel Lewis said, "Big ears!"

Murshid Wali Ali Meyer, 1988

These 11 keys will help your experience of the Dances of Universal Peace be more meaningful. Working deeply with even one will have a profound effect on you, on the dance, on the entire circle.

1. Listen — Don’t simply recite the sacred phrase. Listen to the other voices. Listen to the person directing the dance. When you listen, your voice automatically harmonizes. Find the center of the sound.

2. Feel — The dances are designed to take us more and more into the universe of feeling. Stay with your feeling. If you go off into the world of thoughts, don't judge yourself; simply bring your concentration back to feeling. The heart center, in the middle of the chest, is the natural place to begin.

3. Concentrate on the Sacred Phrase — The sacred phrase, sometimes referred to as wazifa or mantram, centers the dance. We all repeat this together. The Grace of Allah can operate through the sacred phrase if we are willing to receive it, to let it be. With each repetition, feel the phrase touching your being in a deeper and deeper way.

4. Don't be afraid to stop the Dance — This is for the dance leaders. If the dance gets out of control, or just isn't making it, it is much better to stop, and begin anew. Learning is much more important than just doing.

5. Simple, Rhythmic Music — This can be a great aid. Guitar and drum are especially helpful. Musicians should emphatically resist going off on their own. The sacred phrase must be uppermost in their concentration. The music should accentuate the natural rhythm of the sacred phrase. Drummers especially bear this in mind. The simpler the better. Don't dominate the space. The sacred phrase should by far be the loudest sound. If you play your instrument correctly, no one will even notice you. Isn't that wonderful?

6. Move Together — Restrain the exuberant impulse to make an individual expression. You will be amazed how much higher/deeper the dances are when you use that same energy to harmonize with the others in the circle. Feel your body fully. Then gradually, or suddenly, become the whole circle.

7. Watch your Breath — Breath is life. Breath is movement. Voice is breath. Let breath breathe. Return to awareness of breath in silence between dances. Notice the subtle changes in breath with each dance.

8. Ecstasy — These dances can lead to states of ecstasy. Joyously invigorating! In dances where you are brought to the center of the circle, especially soar. But always soar with your whole being. Taste all planes at the same time. If your feet are firmly grounded on the earth, then your head can be high in the heavens.

9. Devotion — This is a grace. To willingly submit ourselves to Allah/God in Whom we live, and move, and have our being. Hypocrisy may be the only sin. How wonderful it is when we actually feel like bowing in humility before the eternal truth. These dances can be worship: the celebration of the Divine Presence. The Sufis call this akhlak Allah—acting as if in the Presence of Allah; and knowing that even if you don't see Allah, verily Allah sees you.

10. Amin, Amayn, Amen — These mean "so be it". We say this at the conclusion of many dances. Other phrases such as the Sanskrit Svaha, or the Native American Ho, are also used. The important thing is not to say it, but to mean it, to affirm it with one's whole being.

11. Silence — There may be a silent meditation before the dance starts, but if the participants are not experienced in this they may learn the meditation through dancing and also learn the dancing through meditation. As the sound and music of the dance stop, enter the Silence. This is your opportunity to hear what has been created. In this silence one can absorb the qualities evoked during the dance. This is the most important part of the dance. It becomes all encompassing.

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